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fency的令狐小筑~★两脚踢翻尘世路,一肩担尽古今愁~★煮酒论杯,仗义行侠;琴心剑胆,笑傲江湖★~回首向来萧瑟处,也无风雨也无晴★~ 12.11.2009 无措的天真突然发现已经很久很久没有来这里写点什么了,或许这也是件好事。
今天的我第一次对自己的“天真”那么无措,那么惊恐,甚至有一丝绝望。
人啊,真的是要直到渐行渐远,一路在磕磕碰碰的伤口处结起厚厚的疤,才会习惯艰险,学会坚强。 10.09.2009 Stay Hungry. Stay Foolish.(zz)(This is the text of Stanford University Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005.)
I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.
The first story is about connecting the dots. I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college. And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting. It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5 cent; deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
My second story is about love and loss. I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over. I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life. During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurence and I have a wonderful family together. I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.
My third story is about death. When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now. This was the closest I've been to facing death, and I hope it’s the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept: No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true. Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you. Stay Hungry. Stay Foolish. Thank you all very much.
我今天很荣幸能和你们一起参加毕业典礼,斯坦福大学是世界上最好的大学之一。我从来没有从大学中毕业。说实话,今天也许是在我的生命中离大学毕业最近的一天了。今天我想向你们讲述我生活中的三个故事。不是什么大不了的事情,只是三个故事而已。 第一个故事是关于如何把生命中的点点滴滴串连起来。 我在Reed大学读了六个月之后就退学了,但是在十八个月以后——我真正的作出退学决定之前,我还经常去学校。我为什么要退学呢? 故事从我出生的时候讲起。我的亲生母亲是一个年轻的没有结婚的大学毕业生。她决定让别人收养我,她十分想让我被大学毕业生收养。所以在我出生的时候,她已经做好了一切的准备工作,能使得我被一个律师和他的妻子所收养。但是她没有料到,当我出生之后, 律师夫妇突然决定他们想要一个女孩。所以我的生养父母(他们在待选名单上)突然在半夜接到了一个电话:“我们现在这儿有一个不小心生出来的男婴,你们想要他吗?”他们回答道:“当然!”但是我亲生母亲随后发现,我的养母从来没有上过大学,我的养父甚至从没有读过高中。她拒绝签这个收养合同。只是在几个月以后,我的父母答应她一定要让我上大学,那个时候她才软化同意。 在十七岁那年,我真的上了大学。但是我很愚蠢的选择了一个几乎和你们斯坦福大学一样贵的学校, 我父母还处于蓝领阶层,他们几乎把所有积蓄都花在了我的学费上面。在六个月后, 我已经看不到其中的价值所在。我不知道我真正想要做什么,我也不知道大学能怎样帮助我找到答案。但是在这里,我几乎花光了我父母这一辈子的全部积蓄。所以我决定要退学,我觉得这是个正确的决定。不能否认,我当时确实非常的害怕, 但是现在回头看看,那的确是我这一生中最棒的一个决定。在我做出退学决定的那一刻,我终于可以不必去读那些令我提不起丝毫兴趣的课程了。然后我可以开始去修那些看起来有点意思的课程。 但是这并不是那么罗曼蒂克。我失去了我的宿舍,所以我只能在朋友房间的地板上面睡觉,我去捡可以换5美分的可乐罐,仅仅为了填饱肚子, 在星期天的晚上,我需要走七英里的路程,穿过这个城市到Hare Krishna神庙(注:位于纽约Brooklyn下城),只是为了能吃上好饭——这个星期唯一一顿好一点的饭,我喜欢那里的饭菜。 我跟着我的直觉和好奇心走, 遇到的很多东西,此后被证明是无价之宝。让我给你们举一个例子吧: Reed大学在那时提供也许是全美最好的美术字课程。在这个大学里面的每个海报, 每个抽屉的标签上面全都是漂亮的美术字。因为我退学了, 不必去上正规的课程, 所以我决定去参加这个课程,去学学怎样写出漂亮的美术字。我学到了san serif 和serif字体, 我学会了怎么样在不同的字母组合之中改变空白间距, 还有怎么样才能作出最棒的印刷式样。那种美好、历史感和艺术精妙,是科学永远不能捕捉到的, 我发现那实在是太迷人了。 当时看起来这些东西在我的生命中,好像都没有什么实际应用的可能。但是十年之后,当我们在设计第一台Macintosh电脑的时候,就不是那样了。我把当时我学的那些东西全都设计进了Mac。那是第一台使用了漂亮的印刷字体的电脑。如果我当时没有退学,就不会有机会去参加这个我感兴趣的美术字课程,Mac就不会有这么多丰富的字体,以及赏心悦目的字体间距。因为Windows只是抄袭了Mac,所以现在个人电脑就不会有现在这么美妙的字型了。 当然我在大学的时候,还不可能把从前的点点滴滴串连起来,但是当我十年后回顾这一切的时候,真的豁然开朗了。 再次说明的是,你在向前展望的时候不可能将这些片断串连起来;你只能在回顾的时候将点点滴滴串连起来。所以你必须相信这些片断会在你未来的某一天串连起来。你必须要相信某些东西:你的勇气、目的、生命、因缘......这个过程从来没有令我失望,只是让我的生命更加地与众不同。
我的第二个故事是关于爱和失去。 我非常幸运, 因为我在很早的时候就找到了我钟爱的东西。Woz和我在二十岁的时候就在父母的车库里面开创了苹果公司。我们工作得很努力, 十年之后, 这个公司从那两个车库中的穷小子发展到了超过四千名的雇员、价值超过二十亿的大公司。在公司成立的第九年,我们刚刚发布了最好的产品,那就是Macintosh。我也快要到三十岁了。在那一年, 我被炒了鱿鱼。你怎么可能被你自己创立的公司炒了鱿鱼呢? 嗯,在苹果快速成长的时候,我们雇用了一个很有天分的家伙和我一起管理这个公司,在最初的几年,公司运转的很好。但是后来我们对未来的看法发生了分歧,最终我们吵了起来。当争吵不可开交的时候,董事会站在了他的那一边。所以在三十岁的时候,我被炒了。在这么多人目光下我被炒了。在而立之年,我生命的全部支柱离自己远去,这真是毁灭性的打击。 在最初的几个月里,我真是不知道该做些什么。我觉得我很令上一代的创业家们很失望,我把他们交给我的接力棒弄丢了。我和创办惠普的David Pack、创办Intel的Bob Noyce见面,并试图向他们道歉。我把事情弄得糟糕透顶了。但是我渐渐发现了曙光,我仍然喜爱我从事的这些东西。苹果公司发生的这些事情丝毫的没有改变这些,一点也没有。我被驱逐了,但是我仍然钟爱我所做的事情。所以我决定从头再来。 我当时没有觉察, 但是事后证明,从苹果公司被炒是我这辈子发生的最棒的事情。因为,作为一个成功者的负重感被作为一个创业者的轻松感觉所重新代替,没有比这更确定的事情了。这让我觉得如此自由,进入了我生命中最有创造力的一个阶段。在接下来的五年里,我创立了一个名叫NeXT的公司,还有一个叫Pixar的公司,然后和一个后来成为我妻子的优雅女人相识。Pixar 制作了世界上第一个用电脑制作的动画电影——“玩具总动员”,Pixar现在也是世界上最成功的电脑制作工作室。在后来的一系列运转中,Apple收购了NeXT, 然后我又回到了Apple公司。我们在NeXT发展的技术在Apple的今天的复兴之中发挥了关键的作用。而且,我还和Laurence 一起建立了一个幸福完美的家庭。我可以非常肯定,如果我不被Apple开除的话,这其中一件事情也不会发生的。这个良药的味道实在是太苦了,但是我想病人需要这个药。有些时候,生活会拿起一块砖头向你的脑袋上猛拍一下。不要失去信仰。我很清楚唯一使我一直走下去的,就是我做的事情令我无比钟爱。你需要去找到你所爱的东西。对于工作是如此,对于你的爱人也是如此。你的工作将会占据生活中很大的一部分。你只有相信自己所做的是伟大的工作,你才能怡然自得。如果你现在还没有找到,那么继续找、不要停下来,只要全心全意的去找,在你找到的时候,你的心会告诉你的。就像任何真诚的关系,随着岁月的流逝只会越来越紧密。所以继续找,直到你找到它,不要停下来!
我的第三个故事是关于死亡的。 当我十七岁的时候, 我读到了一句话:“如果你把每一天都当作生命中最后一天去生活的话,那么有一天你会发现你是正确的。”这句话给我留下了一个印象。从那时开始,过了33 年,我在每天早晨都会对着镜子问自己:“如果今天是我生命中的最后一天,你会不会完成你今天想做的事情呢?”当答案连续多天是“No”的时候, 我知道自己需要改变某些事情了。 “记住你即将死去”是我一生中遇到的最重要箴言。它帮我指明了生命中重要的选择。因为几乎所有的事情,包括所有的荣誉、所有的骄傲、所有对难堪和失败的恐惧,这些在死亡面前都会消失。我看到的是留下的真正重要的东西。你有时候会思考你将会失去某些东西,“记住你即将死去”是我知道的避免这些想法的最好办法。你已经赤身裸体了,你没有理由不去跟随自己内心的声音。 大概一年以前, 我被诊断出癌症。我在早晨七点半做了一个检查,检查清楚的显示在我的胰腺有一个肿瘤。我当时都不知道胰腺是什么东西。医生告诉我那很可能是一种无法治愈的癌症,我还有三到六个月的时间活在这个世界上。我的医生叫我回家,然后整理好我的一切,那是医生对临终病人的标准程序。那意味着你将要把未来十年对你小孩说的话在几个月里面说完;那意味着把每件事情都安排好,让你的家人会尽可能轻松的生活;那意味着你要说“再见了”。 我拿着那个诊断书过了一整天,那天晚上我作了一个活切片检查,医生将一个内窥镜从我的喉咙伸进去,通过我的胃,然后进入我的肠子,用一根针在我的胰腺上的肿瘤上取了几个细胞。我当时是被麻醉的,但是我的妻子在那里,后来告诉我,当医生在显微镜下观察这些细胞的时候他们开始尖叫,因为这些细胞最后竟然是一种非常罕见的可以用手术治愈的胰腺癌症细胞。我做了这个手术,现在我痊愈了。 那是我最接近死亡的时候,我希望这也是以后的几十年最接近的一次。从死亡线上又活了过来,我可以比以前把死亡只当成一种想象中的概念的时候,更肯定一点地对你们说:没有人愿意死,即使人们想上天堂,也不会为了去那里而死。但是死亡是我们每个人共同的终点。从来没有人能够逃脱它。也应该如此。因为死亡就是生命中最好的一个发明。它将旧的清除以便给新的让路。你们现在是新的,但是从现在开始不久以后,你们将会逐渐的变成旧的然后被送离人生舞台。我很抱歉这很戏剧性,但是这十分的真实。 你们的时间很有限,所以不要将他们浪费在重复其他人的生活上。不要被教条束缚,那意味着你和其他人思考的结果一起生活。不要被其他人喧嚣的观点掩盖你真正的内心的声音。还有最重要的是,你要有勇气去听从你直觉和心灵的指示——它们在某种程度上知道你想要成为什么样子,所有其他的事情都是次要的。 当我年轻的时候,有一本叫做“整个地球的目录”振聋发聩的杂志,它是我们那一代人的圣经之一。它是一个叫Stewart Brand的家伙在离这里不远的Menlo Park编辑的,他象诗一般神奇地将这本书带到了这个世界。那是六十年代后期,在个人电脑出现之前,所以这本书全部是用打字机、剪刀还有偏光镜制造的。有点像用软皮包装的google,在google出现三十五年之前:这是理想主义的,其中有许多灵巧的工具和伟大的想法。Stewart和他的伙伴出版了几期的“整个地球的目录”,当它完成了自己使命的时候,他们做出了最后一期的目录。那是在七十年代的中期,我正是你们的年纪。在最后一期的封底上是清晨乡村公路的照片(如果你有冒险精神的话,你可以自己找到这条路的),在照片之下有这样一段话:“求知若饥,虚心若愚。”这是他们停止了发刊的告别语。“求知若饥,虚心若愚。”我总是希望自己能够那样,现在,在你们即将毕业,开始新的旅程的时候,我也希望你们能这样: 求知若饥,虚心若愚。 非常感谢你们!
11.03.2009 转载自荞麦花开的博客好久没有读到如此精彩的笑傲点评了,很惊喜地读到同龄人的文章,深深佩服文笔的稳健老到。转载两篇,奇文共欣赏! ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ 由《笑傲江湖》“积雪”一章写起
好友顾游川西雪山,归后写游记,内有一句“只是文字再美,又如何媲美遇到心爱之人,共跪雪山冰清玉洁之地,山盟海誓,此生不离。”我读后不由想到《笑傲江湖》里“积雪”一章,虽非雪山,也是大雪封山;虽非“山盟海誓,此生不离”,却也是“海枯石烂,此情不渝”。
人间有味是清欢
老子曰:冲而用之则不盈。令狐冲与任盈盈之间的爱情,像是《笑傲江湖》整本书的侠士基调一样,也是淡淡的。给男女主角取这样的名字,不知道金庸是不是暗寓老子的意思? 冲盈之恋之淡,首先表现为“醋味”之淡。任盈盈予人第一鲜明的印象,估计不是其他,而是在令狐冲对岳灵珊的单恋已经有些过分的时候,表露得过于大度,过于宽容。读者一般以为这是金庸塑造人物上的一个缺失。然而我有自己的看法。下文我就结合原著,作些具体分析: 《笑傲江湖》可说是在下把玩最细致的金庸作品。金庸崇信“性格决定命运”这一说法,他笔下人物的行为,与其性格之联系,要较一般的文学作品更为深刻。任盈盈的地位与赵敏最为相似,但又不尽相似。同样的号令江湖,令江湖草莽俯首帖耳之外,赵敏多了一层金枝玉叶的郡主气。有慈父与长兄在,故而她有岳灵珊那种刁蛮任性的公主性子。她懂得利用自己作为女子的身份,以承诺三件不违侠义道之事来逼迫张无忌听命于自己。这一招周芷若后来也学会了。任盈盈却从不如此。她从小缺乏父爱;东方不败出于掩人耳目的目的,将她奉到神教一人之下,万人之上的位置。黑木崖等级森严,服侍她的人对她都是绝对畏服,从未有过昵而敬之。任盈盈成长于具有独特“文化氛围”的黑木崖,环境塑造了她的性格。 一方面是她握有极大的权力,上面的东方叔叔却从未帮过她——所以她处世娴熟老到,非常之独立;甚至冷静得使人感到其行事不像少女所为。这点她过于赵敏。赵敏是诡计机巧多一些,任盈盈是冷峻坚忍多一些。所以赵敏更使人疼爱,任盈盈则更令人敬畏。她之行事,单纯的戾气多一些。如听说少林要留她十年念经礼佛,登时翻脸,拔出短刀。而利用女孩子的弱处逼迫所爱的人,在她,是绝对不会去做的。因此她绝对算不上是一个政治人物。她就是个山野脾气。所以与率真的蓝凤凰能成知交。金庸在后记中说,任盈盈这个女孩子非常腼腆害羞,动用天下豪杰帮令狐冲治病却硬是不准他们泄露真相。这也是公主脾气。相比任盈盈,赵敏就很大胆,放得开,喜欢张无忌就放手直追,“无所不用其极”。任盈盈极顾面子,她不会逼迫令狐冲,也不会在他面前吃岳灵珊的醋,她只会默默的为他付出,包括动用天下奇人异士为他治病,独上少林舍身救他性命,她只会用默默的付出去打动他,让他品味背后的深意。我深信,任何人看到自己的男友还时时为前任女友而痛苦,而恋恋不忘,心里都不好受。任盈盈也不例外。但是她绝对不会嫉恨岳灵珊。嫉恨出自不自信。而圣姑从小到大大权在握,为所欲为,从来没有过不自信。令狐冲终有一天会全心全意爱上她的。我想她对此坚信不移。更何况,她当初喜欢他正是因为他的苦情。所以表面上任盈盈的“不吃醋”实际上是有其性格上的深层原因的。 她另一方面的性格是,人情味较少,较为轻视手下人的生命。她手下的江湖草莽对她的惧怕可说甚于鬼怪。老头子祖千秋等人也是一方豪强,却宁死也不敢向令狐冲透露她的半点讯息。撞见令狐冲与任盈盈在一起的几个江湖人,听到任盈盈让他们自瞎双目,放逐海岛,有生不得回到中原,竟是欣喜若狂,感激涕零。这些不可思议之事,说明圣姑根本不圣,确如方证大师所说,黑木崖上的戾气重了。绿竹翁是黑木崖高手,与盈盈一起在洛阳绿竹巷织席自娱,对她忠诚,守以侄礼。但盈盈在这种最宜产生人类纯真情感的地方却依然故我。绿竹翁办错了事,竟非得自废武功不可。而且任盈盈缺乏平等观念,缺乏推己及人的仁爱之心。她一直天然地视手下的江湖草莽为奴仆,尽管叫向问天等人为叔叔,实则心中并无此想。她唯一炽爱的是父亲。因为父爱于她太过缺乏。总之,金庸对任盈盈的塑造,处处不落黑木崖这个大的环境。而令狐冲与她的性格就大为不同。令狐冲情操高洁,生性恬淡。少机心的女子对他都有好感。而他救仪琳表现出来的侠义精神,很难说任盈盈就具备。他绝对是个平民人物。跟无赖泼皮赌钱,输了让人揍也不在意;与桃谷六仙喝酒取乐快意自得——这些都使江湖人物对他由衷亲近爱戴,而不同于对圣姑的畏惧。有意思的是,这帮江湖草莽本是因为圣姑而靠近令狐公子,结果单凭令狐公子的个人魅力,他们已五体投地。令狐冲对情感这个东西看得很重,如他对师父师娘的情感,对六猴等师兄弟的友爱之情,书中莫不写得感人至深。最让人悚然动容的莫过于他对师妹的一往情深。盈盈后来对他说,爱上他就是从绿竹巷中听他讲述苦恋师妹开始。以任盈盈的地位,自是不将天下人看入眼里,自然也绝少将男人看上。令狐冲能俘获芳心,就是因为他率真自然的性格,在一位素未谋面的“婆婆”面前毫无保留;就是因为他无限深情的讲述自己如何单恋一个已不爱自己的女子。异性相吸。对于任盈盈来说,若要嫁人,也许只有嫁给令狐冲这样自然恬淡,丝毫没有自我中心,无所谓自信从而也无所谓自卑的男子,方是最好的选择。对俗人来说,女友的权势财富等会让他保有压力;但令狐冲心无点尘,他心中可以只有盈盈的洞箫,只有盈盈的盈盈欢笑。所以冲盈实在堪称天作之合。从盈盈的角度看,她看人肯定不以财富武功权势等为标准。令狐冲这种自然坦荡,品格高洁的人最适合她。但令狐冲呢?一如大家都看出来的,开始是感恩大过爱情。其原因根本上在于他对黑木崖的气息有一种最大的排斥感。读者应该注意到,令狐冲对“婆婆”放逐那几个见到她的江湖人一事,心中充满了愤懑,大声质问她“你到底是谁!”“你一句话就可以放逐几个江湖高手还需要我保护你么?”事实上,气质上的抵触才是“冲盈之恋之淡”的源头。 令狐冲是个坚持原则的人。看完书后我常常会想,令狐冲与任盈盈鸳盟虽谱,未知也不是一种幸运。倘若任我行最后不是暴毙,恒山派与魔教的冲突,谁来结束?任我行胜出,盈盈会为令狐冲殉情;令狐冲胜出,盈盈自不能再嫁给他,两个有情人今生怕也难再聚首。“笑傲江湖”说来一笑,哪得轻松?谁又能将如此沉重的话题,付之轻轻一笑?令狐冲在黑木崖上,本可以忍一忍不笑,本可以拜在任我行脚下,恭敬地称“岳父大人”——然而他不能容忍虚伪与丑恶,因而选择了一种无愧于生命本身的对真与善的执着,哪怕因此牺牲九死一生得来的爱情。这就是他的高尚情操带来的道德感与由此而来坚守的原则立场。这里表现出令狐冲与张无忌最大的不同:张无忌是太过良善而立场不稳,令狐冲则是因良善高洁而立场坚定。令狐冲与郭靖在这里最相近,大关节上把持很定;杨过则不同,他为了爱情可以抛弃任何东西——包括民族大义,包括高洁情操。从这点上来看,令狐冲如郭靖萧峰一样,也同样使人敬畏。行不能至而心向往之就是敬畏。或许盈盈也是比谁都清楚令狐冲的性格吧,她同样也喜欢这所清楚的一切,包括他坚持立场,虽万千人吾往矣的所为,包括他对师妹的一往情深。所以在二人中,没有任何一方劝阻另一方做其不愿做的事情。其实,坚持立场从来都比妥协要困难一万倍。令狐冲如加入日月神教,身上的隐患可以除去,可以不冒与任我行翻脸冲突的危险,与盈盈长相厮守——但是原则摆在那里:当年,令狐冲亲眼见证了刘正风之惨遭灭门。对刘正风而言,琴箫相和,音律互通之时,那是怎样一种贯通天地的感觉?当亲人的鲜血染红了洗手的金盆,当胸中的悲痛与老泪一同涌上来,退隐江湖,归老林泉的决心依然不曾改变么?与其说,这是一种自私,不如说,这是一种别无选择的抉择,一种无意于生死的勇绝,一种笑傲血雨江湖,瞑目于绝俗弃世的知音之情的悲欣交集。这里,刘正风和曲洋用生命表达了尊严。这一幕一定给令狐冲留下了至为深刻的印象,也许那种用鲜血绘就的高洁之花不知不觉已经幻化成他心中最为神圣的东西,一种付出任何代价也必须捍卫的精神图腾。从这个角度看冲盈,我有一种登高开眼的感觉。在黑木崖上,盈盈静静地送走与父亲决裂的冲哥,看着他走向恒山,将带领一群柔弱的女尼用血肉女儿身去抵御父亲的虎狼之士。她的目光一定不是生离死别的痛苦,而是一种淡然,淡然于自己的恋人走向完美,淡然于自己的爱人以并不轻松的脚步潇洒地走向完美。 苏轼诗曰:人间有味是清欢。是为冲盈之恋。
转自荞麦花开 09.02.2009 凤凰涅盘祈祷所有的噩耗都是幻影。 伊人真的离开了吗? 从此,MSN上的她将永远显示为灰色的脱机; 标志性的俏眼弯弯、从容微笑也永远留在了记忆中…… 痛惜中,作联一副送给天堂里的她,愿美丽的凤凰浴火重生!!!
英才惊世 人羡凤飞九天外 多情绝俗 天妒凰舞三寰内
凤 凰 涅 盘 13.01.2009 当莫扎特老去(转载)发现这段好美的文字,愿与大家一起感动。 **************************************************************************************** 当莫扎特老去 作者:田艺苗 最近一次听到弥撒曲,是在音乐学院。沉闷午后,到走廊尽头倒咖啡的时候,发现窗外下起了细雨。听见一支久违的合唱曲,在空荡荡的走廊上游荡,是莫扎特的《安魂弥撒》。 坐在走廊的红色消防箱上,一边喝咖啡,一边把这支曲听完。 乐曲是从三楼的一间教室中传来,人声嘈杂,衬得这支合唱愈见纯洁空旷。年轻的孩子们容易着迷肖邦的伤感与拉赫玛尼诺夫的狂热,却不能忍受一支弥撒曲漫长的祈祷。这种典雅的仪式感,属于行将老去的人们。当莫扎特老去,才开始谱写弥撒曲。 有时候,音乐只是在模拟人的感情,所以有些旋律会在感动你之前预先令你落泪。如果音乐真的能够教化众生,那它也会反过来重新教会我们感情。古典的音乐,诠释了古典的情意。那是一种成年的、朴素的,饱满而持重的感情。深沉却不乏激情。看过了雁去潭空,梨花开又落,才更知晓世间的情重酒浓。 喜欢这张卡拉扬晚年时录制的《安魂曲》版本。这样孤独伟岸的大师,也会老去,当独唱的女声,从乐队中如月色浮现,他冰蓝色的眼神也不禁恍惚迷离。 即使安魂曲,即使是告别之作,莫扎特的轻盈如故。《安魂曲》包含了14支分曲,其中只有前两首《垂怜经、进台咏》和《求主垂怜》全部出自莫扎特手笔,其余的大部份他只来得及写下缩谱,由助手完成配器。第8曲《落泪之日》的旋律最美,他只写下8小节,就绝笔而去。 所有的乐段都遵循传统的安魂曲模式,依照唱词组织音乐结构,合唱简洁清澈,织体疾速更换,他的速度感几乎已经接近现代。第3曲《震怒之日》,虽然有着宗教合唱的外型,但曲调流动并色彩缤纷。在很多乐段中他开始写下对位曲,这种古老晦涩的音乐语言,被他写得春意盎然。一支二重赋格曲,穿插在混声合唱中,犹如春日融雪的溪流,浪花沸腾着冲开了修道院森严的大门。作为宗教音乐,这样的安魂曲似乎过于活泼艳丽,但它一定曾被神的光芒点亮,才能够击败时间,跨越历史,穿过了尘埃与冰雪,依然鲜艳鲜活。 童年时就开始弹奏莫扎特的奏鸣曲,但是在成年之后,听懂了贝多芬的炽烈与巴赫的浩瀚之后,才开始懂得莫扎特独特的纯真,他的浑然天成,他的苦难奔波与轻快的音乐风格之间的高贵差异。 神童惊世,丧失了童年,他把童年奉献给了所有人。此时32岁的莫扎特,已经很老了。他疾病缠身,见到来委约《安魂曲》的黑衣人,误以为自己撞见了死神。上帝急着见他,大约也是爱慕他的才华。在普希金的诗剧中,那个委约临终前的莫扎特谱写《安魂曲》的神秘黑衣人是宫廷乐师萨列里,就是电影《莫扎特传》中那个疯狂嫉妒莫扎特的音乐家。这当然是杜撰的。对于莫扎特来说,唯有他人的疯狂嫉妒才足以说明他的天才。这个不幸与莫扎特同时代的音乐家萨列里,其实是那个年代唯一真正懂得与热爱莫扎特的人。当莫扎特死后,他的人生不再有参照,他也活不下去了。 当天使回归天堂,留下的人,只好做了大地上孤独的兽,在旅途的终点,不耐地等待黄昏来临。如同《吉尔伽美什》史诗中写道:“欢喜的人将因哀伤而佝偻。当你复归尘土,我将为你披发,我将披上狮皮漂泊在旷野。” 12.12.2008 2008末的浪漫2008年,不怎么顺利的一年。末了,却给我两个大大的惊喜。 一个是我家掌门大人的成婚大事。还有一个就是好友磬磬的婚礼(恭喜恭喜哦 婚礼布置在别具特色的场景中,宛如置身老上海的旖旎,风情万种,惟美得仿佛今生只在电影中才见得到。 看着美伦美奂的新娘,披着婚纱,搀着父亲的手,娉娉婷婷,缓缓踏上红色的地毯; 看着落落大方的新娘,当众表达对双方父母诚挚的感恩,声音一度哽咽; 看着惠质兰心的新娘,将一份别出心裁的礼物展示给新郎,将那么多两人世界中最珍贵的“第一次”与在场的每一位分享; 看着收到特别花束的好姐妹与新娘激动拥抱,交换着对未来美好幸福的祝愿; 我想,在那些时刻,受到感动的应该不止我一个人吧! 谢谢磬磬,让我们感受到了2008少有的浪漫。 原来,这个冬天不太冷。 11.12.2008 惜字如金08.12.2008 购物随感02.11.2008 寿楼春寿楼春 作于外婆大殓头七
斯人独仙游。想当年抖擞,神朗清眸。几度更霜残梦,扰了白头。年与共,邀重九。去路冥,孑然形瘦。徒枉唤伊回,风流纵使,何奈土一抔。
悲零涕,思幽幽。恨时光苦短,生死不由。怎把红尘翻遍,怖忧抛丢?亲幸在,恩难酬。悟醒迟,须臾春秋。廿载逝如梭,承欢趁早添永寿。
08.10.2008 谢谢你转载一段非常喜欢的文字 ********************************************************************************************************** 和姐姐讲了一夜的中西方的东西,有信仰,科学,传统等等,当然还有神仙,鬼怪什么的。这对我,真是一次思想的大餐。好久没这样舒服过了,讲到了奥黛丽·赫本,那个天使般的美国女演员,大的纯净的大眼睛,讲她的内而外的美,是心灵里面自然流露出来了,而那个梦露,姐姐说,只是性感的人间尤物,带给男人视觉的满足,而赫本带给人的是精神的愉悦,一种永久的东西。姐姐谈她时,说到了“神性”两个字,她说赫本的身上体现出了人性中珍贵的神性。网络上看到赫本晚年的照片,在非洲抱着瘦弱的孩子,眼神庄重,难过。 网络上看到这样一段文字:“赫本晚年,仍然老骥伏枥,为公益事业发着光和热。目前,她担任联合国儿童基金会亲善大使。在这个职位上,她不时举办一些音乐会和募捐慰问活动,并不时造访一些贫穷地区的儿童,足迹遍及埃塞俄比亚、苏丹、萨尔瓦多、危地马拉、洪都拉斯、委内瑞拉、厄瓜多尔、孟加拉等亚非拉许多国家,受到当地人民的广泛爱戴和欢迎。1992年底,她还以重病之躯赴索马里看望因饥饿而面临死亡的儿童。” 我和姐说,一个人心灵的纯洁程度和环境关心很大,但赫本一生经历了两次恋情,三度婚姻,其心灵依然是个天使,真是上帝派来的。任何苦难和打击都不能污染她啊。 艺术家最可贵的我想就是那颗纯真的心吧,我们讲到赫本后,又想起了刀郎,姐发了一张照片刀郎给我,没看过的,看那眼神就象个小孩子,斯文,纯真,还发了很多她收集的照片给我看,她说她最喜欢的人就是刀郎了,他的声音是心里流出来的,真诚得让人太感动。姐说,听刀郎的歌,感觉就是为她写的,老掉泪。我说我到听胡杨了才掉泪,也许我没有过多的感情经历吧,其实让我感到更深刻体会的是刀郎的生日送给歌迷的作品《谢谢你》。很多人,都是听第一句就掉眼泪了,那种没完没了的大掉眼泪。姐姐也是那样。我们都认为《谢谢你》是刀郎的一个高度了,以后超越《谢谢你》了,那可坏了,把全世界的人都搞哭了,那怎么办呀。我认为刀郎在这个歌里面也讲到了很多神性的内涵,感恩,互相搀扶,生命的归宿,真正的自己,真爱,这么多这么大的主题,刀郎用一首歌完美的表现出来了,而且一听就落泪,可见功力之深。 现在是凌晨4点了,姐姐12点多就休息了,该在作美梦了,听完了刀郎的《谢谢你》,感到一种豁达,一种感恩的心境油然而生。
谢谢你
假如人生能够留下可以延续的记忆 我一定选择感激 如果在我临终之前还能发出声音 我一定会说一句谢谢你
如果生命之重可以用我双手托起 你定是我生命的精灵 如果爱能让我们永远在一起 我一定对它说句谢谢你
谢谢你你搂着我的伤痛抱着我受伤的心 在迷乱尘世中从来未曾说放弃 你牵着我的手走进明天的风雨 不管前路崎岖你从来坚定
谢谢你让我可以在平凡的世界发现我自己 不管是否有阳光照耀我依然美丽 你让我明白:爱你就是爱我自己 你让我学会珍惜生活里的点点滴滴
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